Publisher’s Synopsis
Richard Martin, Curator in Charge, The Costume Institute, The Metropolitan Museum of Art, has written a conceptual and analytical text that both places Versace’s work in historical context and provides new insights into the major inspirations and themes of the designer. In the introduction, he discusses Versace’s relationship with earlier designer’s work, and he also clarifies Versace’s metamorphosis of the prostitute into a positive, even exuberant expression of glamor and of independence from middle-of-the-road values. The body of the book is divided into seven conceptual sections, each beginning with a text summarizing the topic and each also including a brief discussion of individual costumes. The section titled “The Landmarks” is a retrospective look at Versace’s major achievements. “Art” sketches in Versace’s relationship with various artists, such as Alexander Calder and Robert and Sonia Delaunay, and emphasises his particular sympathy for the work of Andy Warhol.
This volume has been published in conjunction with the exhibition ‘Gianni Versace’ held at The Metropolitan Museum of Art from December 11, 1997 through March22, 1998. The exhibition was made possible by Conde Nast and The David H. Koch Charitable Foundation. Foreword by Philipe de Montebello- Director ‘The Metropolitan Museum of Art’.
Harry N. Abrams; 1998. With unclipped dust cover. Pre -owned: Very good.